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Artist: Ingrid Jacoby, Sir Charles Mackerras Ustvolskaya’s Piano Concerto (1946) was written around the time of her post-graduate studies with Shostakovich. The influence of the teacher, as one might imagine, is virtually unavoidable. Immediately apparent are the similarities in scoring & textural treatment to Shostakovich’s 1st Piano Concerto. To some, the work’s principal motif, a heavily accented, 2 note figure, may recall the jagged notes that open Shostakovich’s 5th & 8th Symphonies. Despite these parallels, Ustvolskaya’s 1 movement concerto still manages to hold its own ground. It is a serious bravura work that shuns the playful shenanigans of its purported model. Alternating dramatic gestures & reflective passages, its seriousness of purpose reaches beyond its 15mins length. After a pensive central section, the return of the 2 note figure in the final section provides an overall sense of symmetry. In the finale, the obsessive repetition of the figure with hammering rhythms looks ahead to the severe aesthetic that Ustvolskaya would eventually adopt in her maturity. Tracklist
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