Lossless / HD Music

Artist: Cesaria Evora
Title Of Album: Collection
Year Of Release: 1988-2010
Genre: World, Folk, Ethnic Jazz, Morna, Fado
Quality: FLAC (Tracks, Image+.cue, log) / MP3 320 kbps
Total Size: 10,26 Gb/3,65 Gb

*RE-UP, + Lossless

The Cape Verdean singer was the preeminent force of morna music, which combines fado, jazz, and Latin.
A native of the island nation of Cape Verde, Cesária Évora was known as the country's foremost practitioner of the morna, which is strongly associated with the islands and combines West African percussion with Portuguese fados, Brazilian modhinas, and British sea shanties. Évora began singing morna at age 16 after meeting an attractive young guitarist. Her talent soon had her performing all over the islands, and in the late '60s two of her radio tapes were released as albums in the Netherlands and Portugal, respectively.

MP3 & Lossless  ALBUMS:

1988 - La Diva Aux Pieds Nus
1990 - Distino di Belita
1991 - Mar Azul
1992 - Miss Perfumado
1995 - Cesária
1997 - Cabo Verde
1998 - Best Of
1999 - Café Atlântico
2001 - São Vicente di Longe
2002 - Anthologie: Mornas & Coladeras [2CD]
2003 - Club Sodade: Cesaria Evora by... (remix)
2003 - Voz d`Amor
2006 - Rogamar
2008 - Radio Mindelo (Early Recordings)
2009 - Nha Sentimento
2010 - Cesaria Evora &...
2013 - Mãe Carinhosa

Remixes, Compilations, Live
1993 - Live à l'Olympia
1999 - Remixes Par François K. & Joe Claussell
2000 - Cesaria (Audiophile Legends)
2002 - The Very Best of Cesaria Evora
2010 - Greatest Hits [2CD]
2011 - The Magic Of Cesaria Evora

Césaria Évora is the barefoot diva, as the title of her debut album says. When the queen of Cape Verdean music takes the stage, she does so barefoot in support of poor women around the world. The opening track of La Diva Aux Pieds Nus, "Bia Lulucha" is a traditional song gussied up by a disco dancefloor treatment. The track steams right along, buoyed by Manu Lima's synthetic wizardry, and was a huge hit in the Cape Verdean community. Évora's rendition of a Vinicius de Moraes and Antonio Carlos Jobim samba also swings and her voice soars from its guttural depths. As always, her mornas on this album are very soulful and strong. She has since made much finer albums and this should not be the starting point for the novice. However, the album does have some strong tracks and the musicians are the best in Cape Verdean music circles. For fans of the diva, the album is worth adding to their collection. It was her first. Recommended.

Tracklist:
1. Cesaria Evora - Bia Lulucha (5:03)
2. Cesaria Evora - Destino Negro (3:48)
3. Cesaria Evora - Passeio Samba (4:50)
4. Cesaria Evora - Frutu Proibido (4:34)
5. Cesaria Evora - Lucy (5:16)
6. Cesaria Evora - Traz d'Horizonte (4:09)
7. Cesaria Evora - Despidida de Immigrante (4:37)
8. Cesaria Evora - Cabo Verde Terra Estimada (4:35)

This might just be appearing in the U.S., but don't be fooled into thinking it's a new album from the diva of Cape Verde. Instead, it dates from 1974, Césaria Évora's first musical period (a year later, she quit music for a decade). The elements of her future style are there, with the sweet sadness of the morna. But it's largely unformed – the maturity that makes her later work so compelling hasn't arrived yet. There's also an attempt to give a sheen to the sound that simply doesn't suit her voice, to make it more European than it really is – and even then, more Paris than the soulful fado of Lisbon's back streets. Still, it's impossible to deny what she brings to songs like the title cut and "Pontero," although the piano bar version of "Nova Sintra" should probably be avoided like the proverbial plague. When an artist becomes successful, their more youthful work is often dragged out. But with "Evora," it's not to her embarrassment; in 1974 she wasn't the grand artist she'd become, but she wasn't at all bad. More than just for completists, this offers an excellent snapshot for all who are interested in hearing the roots of her sound.

Tracklist:
1. Cesaria Evora - Bitina (4:10)
2. Cesaria Evora - Nova Sintra (4:21)
3. Cesaria Evora - Emigranti (4:47)
4. Cesaria Evora - Tanha (4:05)
5. Cesaria Evora - Salamansa (3:35)
6. Cesaria Evora - Odji Maguado (3:56)
7. Cesaria Evora - T'imbutchode (3:55)
8. Cesaria Evora - Distino Di Bilita (5:00)
9. Cesaria Evora - Nova Sintra (Piano Bar Version) (4:12)
10. Cesaria Evora - Pontero (3:55)
 

From Cesaria Evora's opening wail on Mar Azul's title track, one knows that this disc, a short set comprised of only eight songs, is going to be something special. This is the album that won Evora the praise of Paris, and was released prior to her international hit, Miss Perfumado. These are classic mornas at their most haunting – all the songs are devastating, slow-burning, and stellar. The subject matter is about love, loss, and the heartbreak of life in Cape Verde. The music is acoustic, with guitars, sweeping pianos, and the occasional horn or violin to augment the effect. The liner notes set up the image of Evora ("Cize," as she is known to those close to her) as she prepares to sing in a smoky Cape Verdean nightclub. The overlying feel of this album is that of a dark and intimate seaside bar, under a starry sky, featuring a beloved singer who woos the audience with her dreamy, mesmerizing voice. Highlights include the haunting "Mar Azul," the elegantly moody "Cabo Verde," the album's two upbeat tracks, "Estanhadinha" and "Cinturao Tem Mele," and its heartbreaking finale, "Separacao." This truly original and understated album burns with the underlying ferocity of an emotional roller coaster, and introduced to the world the mornas of Cape Verde and their most famous interpreter, Cesaria Evora.

Tracklist:
1. Cesaria Evora - MAR AZUL (3:38)
2. Cesaria Evora - CIZE (5:21)
3. Cesaria Evora - ESTANHADINHA (2:44)
4. Cesaria Evora - CABO VERDE (3:14)
5. Cesaria Evora - BELGA (4:57)
6. Cesaria Evora - CRETCHEU DI CEU (6:14)
7. Cesaria Evora - CINTURAO TEM MEL (DANSA TCHA TCHA TCHA) (3:34)
8. Cesaria Evora - SEPARACAO (4:49)
 

Ravishing is the word that springs to the lips: one of those tiresome British understatements, but it'll have to do. Evora has the most glorious voice, the melodies are heartrendingly Portuguese, the guitar-runs have escaped from a fado recording. The classic piano and string group of Miss Perfumada help explain its near-bestselling status, the near-Brazilian rhythms add the zip that tops the whole thing off.

Tracklist:
1. Cesaria Evora - Sodade (4:52)
2. Cesaria Evora - Bia (4:11)
3. Cesaria Evora - Cumpade Ciznone (3:15)
4. Cesaria Evora - Direito Di Nasce (4:40)
5. Cesaria Evora - Luz Dum Estrela (4:24)
6. Cesaria Evora - Angola (4:28)
7. Cesaria Evora - Miss Perfumado (4:29)
8. Cesaria Evora - Vida Tem Um So Vida (5:36)
9. Cesaria Evora - Morabeza (4:22)
10. Cesaria Evora - Recordai (4:28)
11. Cesaria Evora - Lua Nha Testemunha (6:20)
12. Cesaria Evora - Barbincor (4:00)
13. Cesaria Evora - Tortura (3:58)
14. Cesaria Evora - Angola (Remix) (3:50)
 

On this self-titled album, her first for Nonesuch, the Cape Verdean singer Cesaria Evora delivers another batch of 12 strong songs. She is accompanied on this record by various guitarists and percussionists, with the occasional violin and accordion thrown into the mix. This added instrumentation supports Evora's singing (the undisputed focus of the record) marvelously. As usual, her phrasing is exquisite, her voice rising and falling like the tide, caressing the contours of the simple melodies. The charm of Evora's singing is that she sounds like someone's grandmother, singing to herself as she goes about her day's chores. It is this hominess that makes her so endearing, so magically restful. And with lyrics such as "you must work hard/so that tomorrow/you're not in need," the grandmother connection becomes even more obvious. This recording was overseen by Paulino Vieira in Paris, and, in addition to achieving a remarkably distinct sound, he also contributes exquisite guitar and bass (as well as other instruments). There are similarities between Cesaria Evora's music and other traditions: the buoyant rhythms are sometimes reminiscent of Cuban and South American musical styles, her vocal glissandos and bends are almost bluesy, and there are even shades of Mediterranean folk music evident in the contours of the melodies. However, the end result is something wholly unlike anything else. This is a very pleasant album, full of interesting sounds and seductive rhythms, and surely of interest to world music fans.

Tracklist:
1. Cesaria Evora - Petit Pays (3:47)
2. Cesaria Evora - Xandinha (5:43)
3. Cesaria Evora - Tudo Tem Se Limite (4:31)
4. Cesaria Evora - ConseDJo (4:34)
5. Cesaria Evora - D'Nhirim Reforma (5:38)
6. Cesaria Evora - Rotcha 'Scribida (4:29)
7. Cesaria Evora - Oriundina (5:33)
8. Cesaria Evora - Tudo Dia E Dia (3:55)
9. Cesaria Evora - Nha Cancera Ka Tem Medida (6:07)
10. Cesaria Evora - Areia De Salamansa (3:32)
11. Cesaria Evora - Flor Na Paul (5:28)
12. Cesaria Evora - Doce Guerra (4:28)

Cabo Verde's artwork showcases a happier Césaria Évora than on her previous self-titled album (which introduced her to North American audiences). She is pictured laughing, against light greens and blues, and the music itself is considerably more upbeat than that on her other albums (this being her second U.S. release, but her sixth overall). However, the subject matter remains as sorrowful as ever, with lyrics translating to "The sea is the home of nostalgia/it separates us from distant lands/it separates us from our mothers, our friends/unsure if we'll see them again" ("Mar É Morada de Sodade"), and "You are mine, my beloved, even in heaven" ("Bo É Di Meu Cretcheu"). Not only does Évora sing her world-famous mornas, she also gives advice against the foolishness of youth, bringing to light the fact that much of the youth of her native land of Cape Verde has emigrated, leaving the remaining population with an incurable nostalgia. The album begins with several upbeat numbers, then, after the torchy, cabaret-styled "Partida," delves into moodier, more lamenting, and more glorious ballads. On "Coragem Irmon," Évora "duets" with the tenor saxophone of American jazz great James Carter. As with all her albums, this is an excellent collection of beautiful, soul-stirring songs, brought to life by Évora's marvelous voice. A winner in every respect (also included are the lyrics' English translations).

Tracklist:
1. Cesaria Evora - Tchintchirote (3:16)
2. Cesaria Evora - Sabine Larga'm (Sabino, Leave Me) (3:10)
3. Cesaria Evora - Partida (Departure) (6:18)
4. Cesaria Evora - Sangue de Beirona (Beirona's Blood) (3:36)
5. Cesaria Evora - Mar e Morada de Sodade (The Sea is The House of Nostalgia) (6:03)
6. Cesaria Evora - Bo e di Meu Cretcheu (You Are Mine, Beloved) (3:42)
7. Cesaria Evora - Coragem Irmon (Take Courage, Brother) (6:30)
8. Cesaria Evora - Quem bo e (Who Are You?) (2:22)
9. Cesaria Evora - Regresso (Return) (3:37)
10. Cesaria Evora - Mae Velha (Old Mother) (4:47)
11. Cesaria Evora - Pe di Boi (Quarrel) (2:42)
12. Cesaria Evora - Ess Pais (This Country) (4:23)

Cesaria Evora - Cafe Atlantico (1999)

The glorious Café Atlantico finds Césaria Évora venturing into more Latin American musical landscapes, as opposed to Portuguese, which dominated her previous albums. Évora draws from traditional Cuban and Brazilian music to mesmerizing effect. The album is also a tribute to her home town of Mindelo, on the Cape Verdean island of Sao Vicente, which was once a busy port with sailors cruising between South America, the Caribbean, and Portugal. Therefore, the music is heartbreaking and nostalgic, warm and tragic all at once. The masterful "Carnaval de São Vicente" is one of the most joyous, bittersweet party songs ever put on wax (and was even issued as a maxi-single with fantastic remixes). "Roma Criola" is tragic, lonely, destitute, and always interesting, making for an undiscovered masterpiece of a ballad, and her rendition of the Spanish language standard "Maria Elena" is absolutely heartbreaking. The album evokes a moody elegance rarely found in modern music, from the sweeping opener "Flôr Di Nha Esperança" to the summery "Amor Di Mundo," and the picture she paints of this café at the end of the world is a gorgeous, multi-colored, and emotion-stirring palate. This album is nothing short of world class and will be enjoyed by generations to come.

Tracklist:
1. Cesaria Evora - Flor Di Nha Esperanca (4:16)
2. Cesaria Evora - Vaquinha Mansa (4:49)
3. Cesaria Evora - Amor Di Mundo (4:07)
4. Cesaria Evora - Paraiso Di Atlantico (3:57)
5. Cesaria Evora - Sorte (3:49)
6. Cesaria Evora - Carnaval De Sao Vicente (3:49)
7. Cesaria Evora - Desilusao Dum Amdjer (5:38)
8. Cesaria Evora - Nho Antone Escaderode (3:47)
9. Cesaria Evora - Beijo De Longe (4:01)
10. Cesaria Evora - Roma Criola (4:11)
11. Cesaria Evora - Perseguida (4:51)
12. Cesaria Evora - Maria Elena (3:31)
13. Cesaria Evora - Cabo Verde Manda Mantenha (4:03)
14. Cesaria Evora - Terezinha (3:28)
 

Tracklist:
01. Joaquim Paris (Trad.) (06:02)
02. Ingrata (Goy) (06:34)
03. Regresso (Paris) (06:24)
04. D. Ana (Take 1) / (de Novas) (07:16)
05. D. Ana (Take 2) / (de Novas) (05:10)
06. Tchintchiroti Na Figueira (Carvalho) (05:23)
07. Caboverdeano N' Angola (de Maninha) (07:05)

São Vicente di Longe is an album by Cesária Évora. The album charted at number 32 on the Swiss charts for 11 weeks, the longest of any Évora's record.

Tracklist:
1. Cesaria Evora - Sao Vicente Di Longe (4:15)
2. Cesaria Evora - Homem Na Meio Di' Homem (4:37)
3. Cesaria Evora - Tiempo Y Silencio (With Pedro Guerra) (3:18)
4. Cesaria Evora - Sabor De Pecado (4:40)
5. Cesaria Evora - Dor Di Amor (4:29)
6. Cesaria Evora - Nutridinha (3:10)
7. Cesaria Evora - Regresso (With Caetano Veloso) (3:57)
8. Cesaria Evora - Esperansa Irisada (4:27)
9. Cesaria Evora - Ponta De Fi (3:55)
10. Cesaria Evora - Crepuscula Solidao (With Bonnie Raitt) (5:30)
11. Cesaria Evora - Linda Mimosa (With Orquesta Aragon) (3:45)
12. Cesaria Evora - Negue (With Chucho Valdes) (3:45)
13. Cesaria Evora - Bondade E Maldade (4:59)
14. Cesaria Evora - Fada (4:58)
15. Cesaria Evora - Pic Nic Na Salamansa (3:55)
 

Césaria Évora, Cape Verde's "barefoot diva," has perfected her native morna style, and with her deep, soft-burred tenor, has gained an international audience for her blues-steeped laments. Voz d'Amor features several mornas, but up-tempo coladeras, as well, most notably the striking "Velocidade," written by Luis Morais, the father of modern Cape Verdean music, which spotlights a vocal choir and a lively lyrical clarinet line. But slow-burning, sad songs are Évora's specialty, and there are several striking examples here, including a cover of "Beijo Roubado," first recorded by Brazilian singer Ângela Maria. The opening track, "Isolada," a morna written by Évora's uncle, the poet B. Leza, features mandolin by Hamilton de Holanda and is perfectly suited to Évora's warm, honey-tinged voice. The single most striking track is the beautiful lament "Marde Canal," a traditional Cape Verde melody with lyrics from Fernando Andrade about the beauty and treachery of the sea channel between Sao Vicente and Santo Anton. Évora's vocal here is sad, resigned, and wise, by turns. Voz d'Amor is another fine collection from a remarkable singer.

Tracklist:
1. Cesaria Evora - Isolada (5:29)
2. Cesaria Evora - Velocidade (3:23)
3. Cesaria Evora - Amdjer De Nos Terra (4:45)
4. Cesaria Evora - Beijo Roubado (4:11)
5. Cesaria Evora - Djarmai Di Meu (4:41)
6. Cesaria Evora - Monte Cara (4:11)
7. Cesaria Evora - Ramboia (4:59)
8. Cesaria Evora - Jardim Prometido (4:49)
9. Cesaria Evora - Nha Coracao Tchora (4:57)
10. Cesaria Evora - Saia Travada (3:07)
11. Cesaria Evora - Pomba (3:25)
12. Cesaria Evora - Mar De Canal (4:04)
13. Cesaria Evora - Milca Ti Lidia (4:17)
14. Cesaria Evora - Voz D'Amor (4:27)
 

The first thing to understand about this is that it's not a new album by the lovely Evora. It's not even a straight reissue of old material. Instead, this is Evora remixed, with much of the material coming from her classic Miss Perfumado set. To many, it doesn't sound like a good idea, but it has to be said, it's been done with taste, and there's been little tampering with the vocals, thankfully. In fact, her morna style overpowers and directs everything else, from pace to mood, giving this a very soulful edge. And the producers have all worked with sympathetic ears, not so much trying to imprint their own personalities on the songs, but complementing them. In fact, the beats and textures are often surprisingly subtle, spicing rather than overwhelming the stew. However, that said, the new approach, while pleasant, never adds very much to the originals. There's nothing in the productions to turn the head around. The stars remain Evora's evocative voice and the songs themselves. And while this is enjoyable enough, it lacks the warm intimacy of the original versions.

Tracklist:
1. Cesaria Evora - Petit pays (Chateauflight remix) (4:21)
2. Cesaria Evora - Angola (Carl Craig's mix) (8:27)
3. Cesaria Evora - Nho Antone Escarderode (Kerri Chandler Album Mix) (5:39)
4. Cesaria Evora - Besame Mucho (Senor Coconut's chachacha remix) (3:48)
5. Cesaria Evora - Bondade E Maldade (Yourba Soul mix by Osunlade album version) (4:53)
6. Cesaria Evora - Sodade (DJ Rork & Demon ritchie mix) (7:01)
7. Cesaria Evora - Negue (Cris Prolifik Remix) (4:02)
8. Cesaria Evora - Miss Perfumado (4 Hero Remix) (6:01)
9. Cesaria Evora - Angola (Get Down Dub by Pepe Bradock) (6:15)
10. Cesaria Evora - Angola (Bateau Ibre rework by Pepe Bradock) (4:35)
11. Cesaria Evora - Nutridinha (Kerri Chandler album mix) (5:29)
12. Cesaria Evora - Sangue de Beirona (Main Pass by Francois K) (8:26)
 

Three years after her Grammy-winning Voz d'Amor, Cape Verdean superstar Césaria Évora returned with her tenth album, Rogamar. Recorded in Mindelo, São Vicente, Évora's hometown, and Paris (Caetano Veloso arranger Jacques Morelenbaum added the strings in Rio de Janeiro), Rogamar is a lovely piece of work, with most of the 15 tracks written for her by her talented Cape Verdean songwriting team. The songs, as evidenced by the title of the album (which translates to "pray to the sea"), speak of love, loss, island life, and humankind within the context of the ocean. Water is the recurrent theme; it is present constantly, and is something to which life can be compared: it takes and it brings, it is love and it is separation, it is a friend and it is death. Adding to this is Évora's voice, which constantly alludes to the sea, and can be quick and choppy, or long and smooth, but mostly is clear and fluid and is what controls the album and gives it life. Yes, the instrumentation is wonderful and contributes greatly to the songs (although sometimes Morelenbaum's strings are a little too much, nearly overpowering the rest of the band), accenting the sadness or longing, the celebration, the desire, but it is Évora who decides what and how the songs are really supposed to be. She is willing to create seeming incongruity (like in the up-tempo "Um Pincelada," in which the singer explains her understanding of the world and a lifetime of disappointments, with resignation thick in her voice), to hope for "peace and progress" in "Africa Nossa" (which features Senegalese folksinger Ismaël Lô), or to slyly offer friendship to a woman who trusts no one, in "Rosie." Outside factors contribute, but Évora is the real decision-maker. She has each song mean exactly what she wants it to mean, and listeners are all the better for it, anyway, because at least then they can try to comprehend, just a little bit, the life of this remarkable singer.

Tracklist:
1 Sombras di Distino (Shadows of Destiny) 04:36
2 Um Pincelada (A Brushstroke) 03:28
3 Avenida Marginal (Avenida Marginal) 03:00
4 Africa Nossa (Our Africa) 03:53
5 Tiche (Tiche) 04:16
6 São Tomé Na Equador (São Tomé at the Equator) 04:12
7 Rogamar (Pray to the Sea) 03:33
8 Amor E Mar (Love and the Sea) 04:33
9 Modje Trofel (Naughty Sauce) 03:28
10 Rosie 04:16
11 Travessa de Peixeira (In Fishwife's Alley) 03:22
12 Mas Um Sonho (Another Dream) 03:49
13 Mar Nha Confidente (The Sea Is My Confidant) 05:34
14 Saiona d'Vinte Ano (20-Year-Old Big Skirt) 03:44
15 Vaga Lenta (Slow Wave) 04:06
 

It's been three years since Cape Verde's barefoot diva last released an album, and many more since her morna sound was the darling of critics. A new generation of Cape Verdean singers has come of age and made its mark, and her star has faded somewhat. However, that doesn't mean the quality of her work is any less than it was before. If anything, becoming free of the pressure of great fame has helped her. There's more of a carefree feel to this disc, as evidenced on the upbeat opener, "Serpentina." Of course, it simply wouldn't be Évora without some of her trademark morna, but even its innate sadness is suffused with an underlying joy. At 68, her voice might not have quite the suppleness it had when she burst onto the world stage 20 years ago, but it's still a delicious, sensual instrument, still part-Portuguese, part-Brazilian, and still instantly identifiable, her music drawing from sources African, European, and Latin, but with the unique flavor of Cape Verde. She's graduated to grand dame status now, a mother figure to those following in her (bare) footsteps. However, this shows that she's far from sitting on her laurels. She's still setting the standard for everyone else, not only in the way she handles the songs – as skillful as Ella Fitzgerald, and with every bit as much sophistication – but for the material itself, some of it from the superb pen of Teofilo Chantre, one of the best writers from the islands. It's a joyful return by someone who still deserves her diva title.

Tracklist:
1. Cesaria Evora - Serpentina (3:31)
2. Cesaria Evora - Verde Cabo Di Nhas Odjos (4:10)
3. Cesaria Evora - Vento De Sueste (4:44)
4. Cesaria Evora - Ligereza (3:52)
5. Cesaria Evora - Zinha (3:35)
6. Cesaria Evora - Fatalidade (3:51)
7. Cesaria Evora - Esperanca Di Mar Azul (4:04)
8. Cesaria Evora - Sentimento (4:27)
9. Cesaria Evora - Tehom Frio (3:51)
10. Cesaria Evora - Noiva De Ceu (4:04)
11. Cesaria Evora - Holandesa Co Certeza (3:00)
12. Cesaria Evora - Resposta Meninhas De Monte Sossego (3:58)
13. Cesaria Evora - Mam Bia E So Mi (4:16)
14. Cesaria Evora - Parceria E Irmandade (4:09)

Cesaria Evora - Cesaria Evora &… (2010)

01. Sodade (feat. Bonga) [04:54]
02. Moda Bô (feat. Lura) [04:57]
03. É Doce Morrer No Mar (feat. Marisa Monte) [03:39]
04. Elle Chante (feat. Bernard Lavilliers) [03:53]
05. Africa Nossa (feat. Ismaël Lô) [03:52]
06. Yamore (feat. Salif Keita) [03:44]
07. Lagrimas Negras (feat. Compay Segundo) [04:58]
08. Quel Casinha (feat. Adriano Celentano) [04:27]
09. Negue (feat. Chucho Valdes) [03:46]
10. Regresso (feat. Caetano Veloso) [03:58]
11. Embarcação (feat. Kayah) [03:25]
12. Um Pincelada (feat. Cali) [03:26]
13. Historia De Un Amor (feat. Tania Libertad) [03:57]
14. Tiempo Y Silencio (feat. Pedro Guerra) [03:19]
15. Crepuscular Solidão (feat. Bonnie Raitt) [05:31]
16. Ausencia (feat. Goran Bregovic) [03:48]
17. Mãe Pa Fidje (feat. Teofilo Chantre) [04:02]
18. Sodade (feat. Eleftheria Arvanitaki) [05:55]
19. Negue (feat. Caetano Veloso) [02:11]

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