Lossless / HD Music

Artist: Elsa Grether & David Lively
Title Of Album: Ravel: Complete Works for Violin and Piano
Year Of Release: 2022
Label: Aparte
Genre: Classical
Quality: FLAC [tracks, 24bit/96kHz], d.booklet
Time: 68:35 min
Total Size: 1,22 Gb

In 1928 Maurice Ravel described the violin and the piano as "essentially incompatible". Yet by then he had already composed for those instruments two sonatas (one of which was published posthumously), Tzigane, and the Berceuse sur le nom de [Gabriel] Fauré - a miraculous output for a supposedly mismatched duo. Written for the most part in the early twentieth century, these works reflect Ravel's interests and influences, including Spain, jazz, blues, foxtrot and Hebrew songs. All of these pieces show Ravel's modesty and poetry, and his marvelous ability to bring enchantment to our world. Elsa Grether and David Lively present Ravel's complete works for violin and piano, including two world premiere recordings: Gustave Samazeuilh's arrangement of the Adagio assai from the Piano Concerto, and a transcription by André Asselin of the mischievous Five o'Clock Foxtrot from L'Enfant et les Sortilèges.

Tracklist
1. Ravel: Piano Concerto in G Major, M. 83: II. Adagio assai (Arr. For Violin and Piano by Gustave Samazeuilh) (9:01)
2. Ravel: Violin Sonata, M. 77: I. Allegretto (7:56)
3. Ravel: Violin Sonata, M. 77: II. Blues. Moderato (5:27)
4. Ravel: Violin Sonata, M. 77: III. Perpetuum mobile. Allegro (3:50)
5. Ravel: Pièce en forme de Habanera, M. 51 (Arr. For Violin and Piano by Théodore Doney) (3:27)
6. Ravel: Violin Sonata, M. 12: Allegro moderato (15:10)
7. Ravel: Berceuse sur le nom de Gabriel Fauré, M. 74 (2:49)
8. Ravel: Five o'Clock Foxtrot (After L'Enfant et les Sortilèges, M. 71)[Arr. for Violin and Piano by André Asselin] (3:33)
9. Ravel: Deux mélodies hébraïques, M.A 22: Kaddisch (Arr. for Violin and Piano by André Asselin) (5:14)
10. Ravel: Deux mélodies hébraïques, M.A 22: L'Énigme éternelle (Arr. for Violin and Piano by Lucien Garban) (1:19)
11. Ravel: Tzigane, M. 76 (Rapsodie de concert) (10:55)

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